Screening times:
Thursday, March 19, 6:30 PM
Sunday, March 29, 7:45 PM

Jonah Malak | Canada | 2025 | 84m
English and Spanish with English subtitles

Marisela and Ely are part of a volunteer group who seek, find, and return the bodies of migrants who died in the Arizona desert, while crossing the US-Mexico border on foot. Spare My Bones, Coyote! is a documentary that follows this challenging, dangerous, and heartrending work, and peers into the difficult and dedicated lives these people have chosen.

Screening times:
Sunday, March 8, 5:30 PM
Sunday, March 8, 8:15 PM
Thursday, March 19, 8:45 PM

Xiaodan He | Canada | 2025 | 118m
French and Mandarin with English subtitles

A Chinese immigrant mother in Montreal breaks from duty and tradition when she falls for a young Québécoise woman, leading her to confront questions of identity and freedom.

Screening times:
Friday, March 20, 6:30 PM

Edward Yang | Taiwan | 2000 | 173m
Mandarin, Taiwanese Hokkien, and Japanese with English subtitles

Portrait of a middle-class family in Taipei. This extraordinary, internationally embraced film is warm, sprawling, and dazzling. Twenty-six years after its release, it remains one of the undisputed masterworks of the new century.

Screening times:
Saturday, March 21, 6:00 PM
Sunday, March 29, 5:30 PM

Christian Petzold | Germany | 2025 | 86m
German with English subtitles

Past and present collide in this sly psychodrama, as Laura (Paula Beer), a young woman from Berlin, survives a countryside car crash before she gradually enters the fold of a mysterious, pained family.

Screening times:
Saturday, March 21, 8:30 PM

Christopher Guest | USA | 1996 | 84m

We fondly remember late, great Canadian actor and comedian Catherine O'Hara (1954-2026) with a select range of films screening on Saturday nights in March. We look back at O'Hara's career via an early role in Martin Scorsese's neo-noir comedy After Hours (1985), to her iconic turn in Tim Burton's Beetlejuice (1988) and a lead part in Christopher Guest's ensemble mockumentary Waiting For Guffman (1996).

Screening times:
Thursday, March 26, 6:30 PM

Gus Van Sant | USA | 1991 | 102m

Scott and Mike are sex workers and lovers. Scott hates his rich father and resists his mapped-out future, while Mike is stalked by narcolepsy and his memories.

Screening times:
Friday, March 27, 6:30 PM

Lav Diaz | Portugal, Spain, France, Philippines, Taiwan | 2025 | 160m
Portuguese, Spanish, Tagalog, French with English subtitles

Portuguese navigator Ferdinand Magellan rebels against the power of his king, but becomes a conquerer despite his original dreams of exploration. Magellan blends Lav Diaz's slow cinema rigor with the biopic form to create a visually hypnotic, deliberately paced historical epic that immerses viewers in a spiritually charged meditation on power, mythology, and colonial ambition.

Screening times:
Saturday, March 28, 6:00 PM - this screening takes place at Bus Stop Theatre on Gottingen St

Park Chan-wook | Korea | 2025 | 139m
Korean with English subtitles

An unemployed salary man takes increasingly violent measures to eliminate the competition for a new position. A wickedly clever takedown of the corporate rat race that finds a perfect avatar in Lee Byung-Hun's skillfully hapless performance.

Screening times:
Thursday, April 2, 6:30 PM

Matthew Solomon | USA | 2023 | 83m - director and special guests attending
This screening will have English captions, and the post-film conversation will be accompanied by ASL interpreters

Reimagining Safety illustrates the history and impact of policing, why harmful aspects persist, the role of the media, and how resources and care-based interventions reduce crime while improving societal conditions.

Screening times:
Friday, April 3, 6:30 PM

Matthew Solomon | USA | 2026 | 92m - director and special guests attending
This screening will have English captions, and the post-film conversation will be accompanied by ASL interpreters

"Seeds for Liberation" explores Palestinian resistance through emotional and impactful interviews with historians, activists, legal scholars, and experts. The documentary demonstrates how social media has exposed daily life in Gaza and the West Bank, challenging dominant Western narratives and bringing the Free Palestine movement into global consciousness.